The final step of post-production was to screen the film cut for musicians to improvise their element of the score.

To begin the editing process, I worked to create a rough cut of the dancers’ performances to prepare for screening for musicians.

Every shoot has challenges that the team can overcome in order to make the magic of production happen.

With casting and the process decided, it was time to think through all of the technical considerations.

How do you move from a great plan for a short film towards production? Here’s how I assembled my team and approached pre-production on “Improvisations,” a short dance film.

As a performer who struggles with anxiety, I thought maybe arts performances weren’t a fit for me – until I started to experiment with improvisation.

Did anyone else pick up how to play Dungeons & Dragons as an adult over COVID? This girl did, and boy was I surprised.

As part of our June 2021 monthly intervention, I collaborated with fellow artists and activists of Say Their Names Northfield, leading participants in a fleetingly beautiful collective work.

The challenges of a pandemic hitting during production of my short film, “The Dinner Party.”

Lessons learned from attending Jeremy Wilker’s Cinematography Boot Camp at FilmNorth.

One of the goals for my SEMAC grant is to develop my color grading skill in filmmaking.

SEMAC has awarded a grant for me to make the short film, “The Dinner Party.”

Our first collaborative planning meeting for the logistics of producing the web series “Lady Parts.”

Nurturing creativity and lessons learned from Elizabeth Gilbert's Big Magic.

A journal entry about developing my first web series, “Lady Parts.”

Describing my excitement and anxiety about my first filmmaking venture.